Description
Candlemass – Chapter VI – Vinyl Record
Chapter VI is the fifth studio album by the Swedish doom metal band Candlemass, released in 1992. This album marks a significant point in the band’s history as it was the first to feature Thomas Vikström on vocals, following the departure of the iconic vocalist Messiah Marcolin. “Chapter VI” is known for its mix of traditional doom elements with a more accessible, heavy metal approach, reflecting a slight shift in the band’s sound during this period.
Candlemass, formed in Stockholm in 1984, is often credited with pioneering the epic doom metal genre. The band’s early albums, such as “Epicus Doomicus Metallicus” and “Nightfall,” are considered classics of the genre, characterized by slow, heavy riffs, operatic vocals, and a dark, atmospheric sound. However, by the early 1990s, changes in the lineup and the evolving metal scene influenced Candlemass to explore new directions.
After the departure of Messiah Marcolin, known for his dramatic, operatic singing style and distinctive stage presence, Candlemass recruited Thomas Vikström, whose voice brought a different, more melodic but still powerful quality to the band’s sound. “Chapter VI” represents an attempt to blend their traditional doom roots with more contemporary metal influences.
Chapter VI features a collection of songs that maintain the dark, heavy atmosphere of doom metal while incorporating elements that make the album more accessible to a broader heavy metal audience.
“The Dying Illusion” – The opening track sets the tone for the album with its blend of doom-laden riffs and a more melodic, mid-tempo structure. Vikström’s vocals introduce a different flavor, with a mix of power and emotional depth.
“Julie Laughs No More” – One of the standout tracks on the album, this song combines a memorable, melancholic melody with heavy, slow riffs. The lyrics tell a dark, tragic story, typical of Candlemass’ themes.
“Where the Runes Still Speak” – A track that harkens back to the epic style of the band’s earlier work, featuring atmospheric, almost mystical elements. The song is slow and heavy, with a focus on creating a haunting, epic atmosphere.
“The Ebony Throne” – This track is a bit faster-paced and incorporates more traditional heavy metal elements, with strong riffs and anthemic vocals. It showcases the band’s ability to balance their doom roots with a more aggressive metal sound.
“Temple of the Dead” – A slower, more doom-centric track that emphasizes the band’s traditional sound. The heavy, crushing riffs and dark, ominous atmosphere are complemented by Vikström’s soaring vocals.
“Aftermath” – A reflective and somber song that mixes acoustic elements with doom metal heaviness. It’s one of the more introspective tracks on the album, with a focus on mood and atmosphere.
“Black Eyes” – This track combines a heavy, driving rhythm with more melodic sections, showcasing the band’s versatility. The song has a powerful, almost anthemic feel, with a memorable chorus and strong guitar work.
“The End of Pain” – The closing track of the album, “The End of Pain,” encapsulates the themes of darkness, despair, and existential reflection that run throughout “Chapter VI.” The song features a mix of slow, doom-laden passages and more dynamic, riff-driven sections, ending the album on a powerful note.
Chapter VI continues Candlemass’ tradition of exploring dark, existential themes such as despair, tragedy, and the supernatural, but it also introduces more melodic and accessible elements into the mix. The album’s lyrics often delve into stories of loss, death, and ancient myths, staying true to the band’s epic doom roots.
Musically, the album blends slow, heavy riffs characteristic of doom metal with more melodic, dynamic elements that appeal to traditional heavy metal fans. Vikström’s vocals are a key element, offering a different interpretation of the band’s music compared to Marcolin’s operatic style. The production is clean but maintains the heavy, atmospheric sound that defines Candlemass.
Chapter V received mixed reviews upon its release, as some fans and critics were divided over the changes in the band’s lineup and sound. While some appreciated the more melodic and accessible approach, others missed the operatic grandeur of the Marcolin era. Despite these mixed reactions, the album has grown in stature over the years and is appreciated for its solid songwriting and performances.
For Candlemass, Chapter VI represented both a continuation of their legacy and a transition into new territory. While it may not be as universally celebrated as their earlier albums, it remains an important part of their discography, particularly for fans interested in the evolution of their sound.
Chapter VI has earned its place as an essential part of Candlemass’ catalog, especially among fans who appreciate the band’s willingness to explore new musical directions while staying true to their doom metal roots. The album is often seen as an underrated gem, particularly for its strong songwriting and the unique vocal performance of Thomas Vikström.
For fans of doom metal and Candlemass, Chapter VI offers a fascinating look at a band in transition, blending the epic, heavy sound that made them famous with new influences that kept their music fresh and relevant. The album is a testament to Candlemass’ enduring ability to craft powerful, atmospheric metal, even as they navigate changes in their lineup and sound.
Brand new, never played and still in the factory plastic
Track Listing
The Dying Illusion
Julie Laughs No More
Where The Runes Still Speak
Ebony Throne
Temple Of The Dead
Aftermath
Black Eyes
The End Of Pain
