Description
Sleater – Kinney – The Center Won’t Hold – 180 Gram Red Vinyl Record
Vinyl Me Please Edition
– Casewrapped Gatefold Jacket, Foil Stamped
– 180g Red Heavyweight Vinyl
– Exclusive Art Print
Brand new, never played and still in the factory plastic
The Center Won’t Hold is the ninth studio album by the American rock band Sleater-Kinney, released on August 16, 2019. Known for their powerful blend of punk rock, indie rock, and riot grrrl energy, Sleater-Kinney has been a significant force in the alternative music scene since the mid-1990s. The Center Won’t Hold marks a bold evolution in the band’s sound, incorporating more electronic and experimental elements while addressing themes of societal tension, personal struggle, and resilience.
Sleater-Kinney, originally formed in Olympia, Washington, in 1994, consists of Corin Tucker (vocals, guitar) and Carrie Brownstein (guitar, vocals). Drummer Janet Weiss was a key member of the band from 1996 until her departure just before the release of ‘The Center Won’t Hold.’ Over the years, the band became known for their fierce, guitar-driven sound and politically charged lyrics, releasing critically acclaimed albums like ‘Dig Me Out’ (1997) and ‘The Woods’ (2005).
After a decade-long hiatus, Sleater-Kinney returned in 2015 with the album ‘No Cities to Love,’ which was hailed as a triumphant comeback. With ‘The Center Won’t Hold,’ the band continued to push their sound in new directions, this time collaborating with pop producer St. Vincent (Annie Clark), whose influence is evident in the album’s polished production and experimental approach.
The Center Won’t Hold is characterized by its blend of Sleater-Kinney’s signature intensity with new, more experimental sounds. The album explores a range of emotions and themes, from frustration and anger to introspection and resilience.
‘The Center Won’t Hold’ – The title track opens the album with a dark, industrial sound that immediately signals the band’s new direction. The lyrics reflect on the fracturing of society and personal identity, with a sense of urgency and tension that permeates the song.
‘Hurry on Home’ – One of the album’s lead singles, this track combines a driving beat with sharp, biting lyrics. It’s a powerful song about desire, autonomy, and the complexities of relationships, with a chorus that demands attention.
‘Reach Out’ – This song features a more melodic, almost pop-leaning sound while maintaining the band’s raw emotional intensity. The lyrics deal with themes of connection and the struggle to reach out in times of difficulty.
‘Can I Go On’ – A standout track with a catchy, almost upbeat melody juxtaposed with lyrics about burnout and existential despair. It captures the conflict between outward appearances and internal struggles, making it one of the album’s most relatable songs.
‘The Future Is Here’ – This track blends electronic elements with a haunting vocal delivery. It’s a reflection on the present moment and the anxieties about what lies ahead, with a sense of disillusionment and uncertainty.
‘Love’ – A slower, more introspective track that delves into themes of vulnerability and emotional complexity. The minimalist arrangement allows the lyrics and vocal performance to take center stage.
‘RUINS’ – One of the heavier tracks on the album, ‘RUINS’ features a dense, layered sound that builds to a powerful climax. The lyrics address destruction, both personal and societal, and the desire to rebuild from the ashes.
‘Broken’ – The album closes with this poignant, piano-driven ballad, a stark contrast to the more aggressive tracks that precede it. ‘Broken’ is a deeply emotional song that reflects on pain, loss, and the process of healing.
The Center Won’t Hold is thematically dense, grappling with issues of personal and societal collapse, disconnection, and the search for meaning in chaotic times. The title, referencing the famous line from W.B. Yeats’ poem ‘The Second Coming’ (‘Things fall apart; the center cannot hold’), encapsulates the album’s exploration of fragmentation and the struggle to find stability.
Musically, the album is a departure from Sleater-Kinney’s earlier, more raw and guitar-driven sound. The influence of St. Vincent is evident in the use of electronic textures, polished production, and an experimental approach that incorporates elements of art rock and post-punk. Despite these changes, the album retains the emotional intensity and sharp lyrical focus that have always defined Sleater-Kinney’s music.
The Center Won’t Hold received generally positive reviews from critics, who praised the band’s willingness to experiment and evolve their sound. However, the album also sparked controversy among fans, particularly following the departure of drummer Janet Weiss, who cited creative differences as a reason for leaving the band. Her exit led to discussions about the band’s new direction and the impact of St. Vincent’s production on their music.
Despite the mixed reactions, the album has been recognized for its boldness and its relevance to the tumultuous cultural and political landscape of the time. It stands as a testament to Sleater-Kinney’s ability to reinvent themselves while continuing to address important issues through their music.
The Center Won’t Hold is an important entry in Sleater-Kinney’s discography, representing a band unafraid to take risks and explore new sonic territories. While it may have divided some fans, the album showcases Sleater-Kinney’s enduring relevance and their commitment to pushing the boundaries of their music.
For those interested in the evolution of indie rock and the ways in which bands can adapt and respond to changing times, The Center Won’t Hold is a compelling listen that captures a moment of transition and experimentation for one of the most influential bands in the genre.
Track Listing
The Center Won’t Hold
Hurry On Home
Reach Out
Can I Go On
Restless
Ruins
Love
Bad Dance
The Future Is Here
The Dog/The Body
Broken
