The Who – Odds & Sods – Half Speed Mastered Double 180 Gram Vinyl Records

$42.99

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The Who – Odds & Sods – Half Speed Mastered Double 180 Gram Vinyl Records

Record Store Day 2020 exclusive release, limited to 7,000.

This reissue includes the original album on disc one and adds 14 bonus tracks – B-sides, rarities & extras on disc two, Odds & Sods Too – to create a definitive, 25-track double LP. Pressed on red (LP1) and yellow (LP2) vinyl. Includes Pete Townshend’s original track annotation.

Half Speed mastering.

Issued with Obi and hype sticker.

Issued in die-cut gatefold jacket, with printed inner sleeves, bi-fold lyric insert and Half-Speed Mastering certificate.

Odds & Sods The Who
– Legendary rarities album from 1974 – expanded to 25 tracks!
– Double LP on red and yellow heavyweight coloured vinyl and die-cut sleeve
– Features the 1979 single Long Live Rock, an unreleased take of The Seeker, a studio version of Young Man Blues, alternatives of Dogs Part Two and Water and many others
– Cut at Abbey Road Studios using the half-speed mastering process
– Exclusive for Record Store Day 2020

Record Store Day UK

Brand new, never played and still in the factory plastic sealed

The Who’s Odds & Sods, released on October 4, 1974, is one of the earliest examples of a rarities album, compiling outtakes, B-sides, and previously unreleased material spanning the band’s career up to that point. Conceived and curated by bassist and principal songwriter John Entwistle, the album offers a fascinating glimpse into the creative process of one of rock’s most influential bands. With its eclectic mix of styles, Odds & Sods captures The Who’s versatility and energy, showcasing the band’s evolution from their early mod days to their more ambitious conceptual works.

The album is often celebrated for its rawness and unpolished charm, serving as a treasure trove for devoted fans and a historical artifact of the band’s dynamic and experimental approach to music-making.

By the early 1970s, The Who were firmly established as one of rock’s premier bands, having released monumental albums like Tommy (1969), Who’s Next (1971), and Quadrophenia (1973). However, during their prolific recording sessions over the years, many tracks had been left unreleased, shelved due to shifting creative priorities or lack of fit with their current projects.

At the suggestion of their manager, Chris Stamp, John Entwistle took the reins in curating Odds & Sods. His goal was to create a cohesive album from disparate recordings, many of which had been circulating as bootlegs. Entwistle sequenced the tracks, wrote the liner notes, and even decorated the sleeve with faux “torn” artwork to reinforce the album’s patchwork nature.

As a collection of odds and ends, the album spans a wide range of styles, from early mod-era R&B to experimental rock and power-pop. While some tracks feel like polished studio productions, others retain their demo-like roughness, giving the album an intimate, behind-the-scenes quality.

The Who’s signature elements are present throughout: Pete Townshend’s explosive guitar riffs and introspective songwriting, Roger Daltrey’s commanding vocals, John Entwistle’s intricate basslines and wry humor, and Keith Moon’s frenetic drumming. The diversity of material demonstrates the band’s ability to innovate across genres, even in their outtakes.

Track Highlights

Postcard
Written by John Entwistle, this jaunty tune serves as the album’s opener. Its lighthearted lyrics, describing the band’s travels on tour, are complemented by a playful horn arrangement and tight instrumentation.

Now I’m a Farmer
A humorous track with a satirical edge, this song pokes fun at the pastoral lifestyle. Townshend’s witty lyrics and the band’s energetic performance make it a standout.

Put the Money Down
A powerful, anthemic track that captures The Who’s ability to fuse raw energy with introspective themes. Daltrey’s commanding vocal delivery and Townshend’s soaring guitar work are highlights.

Little Billy
Originally written for an anti-smoking campaign, this track blends Townshend’s knack for storytelling with the band’s signature rock sound. Its catchy melody and socially conscious lyrics make it a hidden gem.

Too Much of Anything
A mid-tempo ballad that reflects Townshend’s introspective side, this track features heartfelt lyrics and a laid-back arrangement that contrasts with the band’s more aggressive songs.

Glow Girl
This track offers a fascinating glimpse into the genesis of Tommy. With lyrics referencing a plane crash and reincarnation, it foreshadows the thematic depth of the rock opera while standing on its own as a strong pop tune.

Faith in Something Bigger
A spiritual exploration with lush harmonies, this song reflects Townshend’s evolving interest in spirituality and philosophy.

I’m the Face
Recorded in 1964 under their original name, The High Numbers, this track showcases The Who’s roots in mod and R&B culture. With its bluesy swagger, it’s a fascinating snapshot of the band’s early days.

Naked Eye
A highlight of the album, this extended jam combines introspective lyrics with powerful instrumentation. Its blend of acoustic and electric elements captures The Who at their most dynamic.

Long Live Rock
An exuberant anthem celebrating the spirit of rock ‘n’ roll, this track’s infectious energy and sing-along chorus make it a fan favorite. Though recorded earlier, it feels timeless.

Odds & Sods is eclectic, reflecting the wide variety of material collected. Many songs explore familiar Who topics—youthful rebellion, introspection, humor, and social commentary. Tracks like Little Billy and Faith in Something Bigge’ showcase Townshend’s philosophical and socially conscious side, while songs like Now I’m a Farmer and Postcard reveal the band’s playful and irreverent humor.

The album’s diversity mirrors the evolution of The Who’s sound, offering both a retrospective look at their beginnings and a deeper dive into the creative processes behind their more ambitious works.

Odds & Sods was met with positive reviews from critics and fans, who appreciated the opportunity to hear unreleased material from one of rock’s greatest bands. While some viewed it as a stopgap release between larger projects, the album’s quality and cohesion helped it stand on its own merits.

Commercially, Odds & Sods performed well, reaching No. 10 on the UK Albums Chart and No. 15 on the Billboard 200. Tracks like Long Live Rock and Naked Eye became fan favorites, with the latter often appearing in live performances.

The album also helped set the standard for rarities collections, demonstrating how previously unreleased material could be curated into a meaningful and enjoyable listening experience. Its success inspired other bands to delve into their vaults and assemble similar compilations.

Odds & Sods provides an intimate look at The Who’s creative process, offering fans a deeper understanding of the band’s evolution and versatility. The album’s blend of humor, introspection, and raw energy captures the essence of The Who while showcasing material that might otherwise have been lost to history.

Its release also reinforced The Who’s reputation as innovators, willing to take risks even with their outtakes. By sharing songs that revealed their unpolished charm and experimental side, the band deepened their connection with fans and secured their place as one of the most important acts in rock history.

Odds & Sods is more than a collection of leftovers—it’s a celebration of The Who’s artistry, humor, and boundless creativity. With its mix of rare gems and fascinating oddities, the album offers a unique glimpse into one of rock’s most iconic bands at their most candid and experimental. For fans and newcomers alike, Odds & Sods is a testament to The Who’s enduring legacy and their ability to make even their scraps shine.

Track Listing

Odds & Sods
Postcard
Now I’m A Farmer
Put The Money Down
Little Billy
Too Much Of Anything
Glow Girl
Pure And Easy
Faith In Something Bigger
I’m The Face
Naked Eye
Long Live Rock

Odds & Sods Too

Zoot Suit
Here ‘Tis
Leaving Here
Baby Don’t You Do It
Young Man Blues
Dogs Part Two
Here For More
The Seeker
Heaven And Hell
I Don’t Even Know Myself
When I Was A Boy
Waspman
We Close Tonight
Water