Description
Compilation – Southern Rollers: Big Gamin' – Compact Disc
Southern Rollers: Big Gamin’ is a sixteen-track snapshot of late-1990s rap assembled around the heavy regional sounds moving through the South and West. Released in 1999 by Beast Records and Simitar, the compilation is broader than its title alone suggests. Memphis, New Orleans, Atlanta, Houston, the Bay Area, and Los Angeles all enter the sequence through artists such as Three 6 Mafia, Mystikal, Goodie Mob, UGK, E-40, Too $hort, Kurupt, and Xzibit. The connecting thread is not one city but a shared emphasis on bass, street narrative, and distinctive local voices.
The opening run is immediately recognizable. Too $hort’s “Invasion of the Flat Booty Bitches” brings his dry Oakland storytelling, followed by Mystikal’s explosive “Unpredictable” and Kurupt’s tightly controlled “We Can Freak It.” Young Bleed’s “Bring the Noise,” featuring Master P and Mystikal, pulls the program toward the No Limit orbit. These tracks do not smooth out their regional differences; the compilation’s energy comes from placing those accents, flows, and production styles in quick succession.
“Hope I Don’t Go Back” represents E-40’s singular Bay Area phrasing, while Three 6 Mafia’s “Tear da Club Up ’97” brings the darker Memphis attack that would echo through later generations of rap. Goodie Mob’s “Cell Therapy” changes the atmosphere again with Organized Noize production and a tense meditation on surveillance and social control. M.IN.T. Squad’s “This Is How It’s Going Down” and Celly Cel’s “Get It Crackin’” give less obvious selections room beside the established names, preventing the disc from feeling like a predictable greatest-hits sampler.
The second half continues that cross-regional conversation. Indo G’s “Remember Me Ballin’” returns to Memphis, UGK’s explicit “F*** My Car” brings the slow Southern drawl of Port Arthur, and Xzibit’s “What U See Is What U Get” adds a sharp West Coast perspective. Gangsta Boo, B-Legit, Ant Banks, and Spice 1 finish the disc with voices that collectors of 1990s hardcore and gangsta rap will know immediately. The sequencing emphasizes continuity between regions without pretending that their styles are identical.
This is the original 1999 sixteen-track compact disc, sometimes misidentified on abbreviated distributor paperwork as “Southern Ballers.” Its proper title is Southern Rollers: Big Gamin’. The compilation works as both a lively period playlist and a map of connections across independent and major-label rap at the decade’s end. It includes major tracks, deeper catalog cuts, and performers whose local identities remain audible. For buyers exploring Southern rap beyond one label—or following the conversation between Southern and West Coast production—it offers a focused, substantial program rather than a generic budget collection.
Brand new, never played and still sealed in the factory plastic










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