Description
Cable Regime – Cable Regime – Compact Disc
Cable Regime’s Cable Regime (1992) is the self-titled debut album from the industrial rock band formed by Paul Neville, a former member of Godflesh, alongside Steve Hough and Diarmuid Dalton. The band’s sound is a heavy, grinding mix of industrial elements, noise, and experimental rock. Known for their dark, abrasive style, Cable Regime created music that falls between the boundaries of industrial noise and post-metal, blending harsh, mechanical sounds with intense rhythms and a minimalist approach to melody.
Cable Regime is rooted in the industrial rock tradition, heavily featuring repetitive, machine-like rhythms and layers of distorted guitars, bass, and synthesizers. The sound is cold and mechanical, with a focus on texture and atmosphere over traditional song structures. The album is marked by its abrasive, grinding quality, where distorted, metallic sounds dominate. The guitars are heavily distorted, and the rhythms are slow and punishing, creating a dense, oppressive atmosphere throughout the album.
Cable Regime’s approach to music is minimalist, with an emphasis on repetition and stark, industrial tones. The songs tend to be long and hypnotic, with a steady, pounding beat that drives the relentless sound forward.
The overall atmosphere of Cable Regime is one of dystopian coldness and mechanization. The heavy use of industrial sounds, metallic textures, and repetitive structures reflects a world dominated by machinery and devoid of human warmth. The music evokes feelings of alienation, isolation, and despair. The repetitive, punishing rhythms and dark, oppressive soundscapes create a sense of emotional numbness, reflecting the band’s themes of dehumanization and existential dread. Though rooted in industrial rock, Cable Regime often veers into experimental noise territory, with long, drawn-out compositions that focus on building oppressive atmospheres rather than adhering to traditional rock song structures.
Paul Neville’s guitar work is central to the album’s sound, with heavily distorted, droning riffs that create a dense wall of noise. The guitar tone is thick, metallic, and grinding, contributing to the mechanical, industrial feel of the album. The drums on Cable Regime are slow and deliberate, often mimicking the sounds of machinery. The rhythms are repetitive and hypnotic, adding to the minimalist, industrial aesthetic of the album. Synthesizers and other electronic sounds are used sparingly but effectively throughout the album, adding an extra layer of coldness and mechanization. The electronic elements contribute to the band’s dystopian, industrial sound, enhancing the sense of alienation and detachment.
Cable Regime became a cult classic in the industrial and experimental rock scenes. Its heavy, grinding sound and minimalistic approach influenced later industrial acts and post-metal bands who sought to blend the harshness of noise with rhythmic, mechanical sounds.
Paul Neville’s connection to Godflesh brought some attention to Cable Regime, particularly among fans of the industrial metal scene. The album shares some similarities with Godflesh’s sound, particularly in its use of repetitive, grinding rhythms and mechanical, dystopian atmospheres. Cable Regime carved out a distinct niche within the industrial genre, focusing on a minimalist, noise-driven approach that set them apart from more accessible industrial acts like Nine Inch Nails or Ministry. Their willingness to embrace harsh, experimental soundscapes gave them a unique identity in the underground industrial scene.
Cable Regime by Cable Regime is an intense, industrial album that combines the mechanical, repetitive rhythms of industrial rock with experimental noise and minimalist soundscapes. The album’s cold, oppressive atmosphere and heavy, distorted sound reflect themes of alienation and mechanization, creating a sense of emotional detachment and despair. While it remains a cult favorite in the underground industrial scene, Cable Regime stands as an example of the genre’s darker, more experimental side, influencing later bands in industrial and post-metal. For fans of abrasive, noise-driven music, this album is a powerful and uncompromising experience.
Features Members Of Godflesh And Fall Of Because. Produced, Recorded And Mixed By Justin Broadrick and Godlfesh
Invisible Records
Song List
1. Lo-Mai
2. White Sands Burnout
3. Free Radio Moscow
4. 199X
5. Ah Dziz
6. Judas Program
7. Europe After The Rain
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