Description
No Man / No Mans Band Featuring Roger Miller – Damage The Enemy – Vinyl Record
No Man / No Man’s Band Featuring Roger Miller released Damage the Enemy in 1989, a bold and experimental album that showcases Miller’s innovative musical vision post-Mission of Burma. Released under New Alliance Records, the album is a fascinating exploration of the intersection between art rock, indie, and avant-garde experimentation. Divided into two distinct sections, the album highlights Miller’s ability to create compelling soundscapes both as a solo artist and as part of a collaborative ensemble, pushing the boundaries of traditional rock music.
The first segment of the album, credited to No Man, features Roger Miller working solo, utilizing vocals, guitar, and sequenced percussion to craft intricate and rhythmic compositions. Tracks like “Into the Ocean” and “Rocket #1” exemplify his inventive use of looping, layering, and unorthodox structures, delivering a listening experience that is both hypnotic and intellectually engaging. This portion of the album captures Miller’s unique approach to solo performance, where his mastery of sound manipulation creates an almost cinematic quality to his music.
The second half of the album, performed by No Man’s Band, sees Miller teaming up with bassist Russ Smith and percussionist Ken Winokur to produce a series of improvisational and collaborative pieces. Tracks such as “Some Noise / Country Keg / Kenon Guitar” and “Giants Head Coat” demonstrate the trio’s dynamic interplay, where experimental soundscapes meet raw musical energy. This section of the album is characterized by its unpredictability and freeform approach, with the musicians leaning heavily into improvisation to produce richly textured and spontaneous compositions.
Damage the Enemy was well-received within the underground music community for its artistic ambition and departure from conventional rock frameworks. The album’s dual structure allows listeners to experience two sides of Miller’s creativity: the meticulous craftsmanship of his solo work and the unrestrained spontaneity of his collaborations. The use of unconventional instrumentation and experimental arrangements cements the album as a testament to Miller’s post-punk legacy and his continual evolution as a musician.
For fans of Roger Miller’s earlier work with Mission of Burma, Damage the Enemy offers an insightful look into his artistic journey, reflecting his dedication to pushing musical boundaries. Whether experienced as an introduction to Miller’s experimental side or as a deep dive into his post-punk evolution, the album remains a compelling and thought-provoking listen. It continues to resonate with fans of avant-garde and experimental music. To explore this innovative project, tracks like “Rocket #1” are an excellent entry point, blending art rock with a fearless commitment to creativity.
Brand new, never played and still sealed in the original plastic seal but small cut in spine
New Alliance Records
Track Listing
into the sea
states
nobody could tell you
overload
rocket #1
win! instantly!
hey!
some noise / country keg / kenon guitar
giants head coat
blossom duprix
heavens gate / danah myazay
the lion got his (and they all went home)
mysterium coniunctionis
on the road to the bank
