Description
Q-Tip – Kamaal / The Abstract – 180 Gram White and Yellow Segment Vinyl Record
VMP Hip-Hop Record of the Month for July 2023.
First ever wide release of the 2001 version of Q-Tip’s multifaceted solo album
Lacquers cut by Cicely Balstonm Alchemy Mastering at AIR
Pressed on exclusive 1800g blackm white and yellow segment vinyl
Listening notes booklet bj Elijah C Watson
Brand new, never played and still in the factory plastic
Kamaal the Abstract is the third studio album by American rapper and producer Q-Tip, a member of the influential hip-hop group A Tribe Called Quest. Originally slated for release in 2001, the album was shelved by Arista Records due to its experimental nature and lack of clear commercial singles. However, it was eventually released on September 15, 2009, by Battery Records. This album is notable for its fusion of jazz, funk, and hip-hop, showcasing Q-Tip’s versatility as both a rapper and a musician, and reflecting his artistic evolution beyond the traditional boundaries of hip-hop.
Q-Tip, born Jonathan Davis, is best known as a founding member of A Tribe Called Quest, a group that helped pioneer alternative hip-hop with their jazz-infused sound and introspective lyrics. After the group disbanded in 1998, Q-Tip embarked on a solo career, releasing his debut album ‘Amplified’ in 1999, which featured more mainstream, club-oriented hits like ‘Vivrant Thing’ and ‘Breathe and Stop.’
Kamaal the Abstract was a significant departure from the sound of ‘Amplified,’ as Q-Tip leaned heavily into his jazz influences, incorporating live instrumentation and a more abstract, free-form approach to both production and songwriting. The album’s experimental nature and its deviation from the commercial hip-hop formula ultimately led Arista Records to shelve the project, deeming it too risky for release at the time.
The album is characterized by its eclectic mix of styles, with Q-Tip exploring themes of identity, creativity, and spirituality through a blend of jazz, funk, and hip-hop.
‘Feelin” – The opening track sets the tone for the album with its laid-back groove, blending jazzy piano chords with a soulful horn section. Q-Tip’s lyrics reflect a sense of personal introspection, while the instrumental arrangement showcases his deep connection to jazz.
‘Do U Dig U?’ – This track features a smooth, funky bassline and is built around a jazz-influenced melody. Q-Tip’s lyrics explore themes of self-awareness and authenticity, encouraging listeners to embrace their true selves.
‘A Million Times’ – A more upbeat track, ‘A Million Times’ combines hip-hop rhythms with a lively jazz backdrop. The song’s infectious groove is complemented by Q-Tip’s playful, yet reflective lyrics.
‘Blue Girl’ – This song is a standout for its introspective lyrics and lush, soulful production. The instrumentation includes a mix of live drums, guitar, and piano, creating a rich, layered sound that complements Q-Tip’s emotive delivery.
‘Barely in Love’ – A deeply soulful track, ‘Barely in Love’ features a moody, introspective atmosphere. The song deals with complex emotions surrounding relationships and commitment, with Q-Tip’s vocals alternating between singing and rapping.
‘Heels’ – A funky, groove-driven track that showcases Q-Tip’s ability to blend genres seamlessly. The song’s rhythm section drives the track forward, while Q-Tip’s lyrics explore themes of attraction and desire.
‘Abstractionisms’ (feat. Kenny Garrett) – This track stands out for its fusion of hip-hop and jazz, featuring a saxophone solo by jazz musician Kenny Garrett. The song is a prime example of Q-Tip’s ability to merge different musical worlds, creating something that feels both timeless and innovative.
‘Even If It Is So’ – The closing track of the album is a reflective, mellow piece that combines soft piano melodies with introspective lyrics. It brings the album to a contemplative close, leaving listeners with a sense of introspection and artistic depth.
Kamaal the Abstract is deeply rooted in Q-Tip’s love for jazz and his desire to push the boundaries of hip-hop. The album’s themes revolve around self-exploration, creativity, and the complexities of life and relationships. Musically, the album blends live instrumentation with hip-hop beats, creating a rich, organic sound that contrasts with the more electronic, sample-based production typical of mainstream hip-hop at the time.
The album’s title, Kamaal the Abstract, reflects Q-Tip’s alter ego and his approach to this project—exploring more abstract, experimental concepts both lyrically and musically. The album is less about catchy hooks and more about mood, texture, and the fusion of different musical elements.
Upon its eventual release in 2009, Kamaal the Abstract was met with generally positive reviews, with critics praising Q-Tip’s willingness to experiment and the album’s fusion of jazz and hip-hop. While it was recognized as a departure from both his work with A Tribe Called Quest and his solo debut, the album was appreciated for its artistry and innovation.
In retrospect, Kamaal the Abstract is often seen as ahead of its time, foreshadowing the increased blending of jazz and hip-hop that would become more common in the 2010s with artists like Kendrick Lamar and Kamasi Washington. The album’s eventual release allowed it to be appreciated as a key piece of Q-Tip’s artistic legacy and as an influential work in the broader landscape of genre-blurring music.
Kamaal the Abstract remains an important album in Q-Tip’s discography, representing a fearless exploration of new musical territories. It stands as a testament to his versatility as an artist and his commitment to pushing the boundaries of what hip-hop can be. The album is an essential listen for fans of Q-Tip, A Tribe Called Quest, and anyone interested in the intersection of jazz and hip-hop.
Track Listing
Feeling’
Do You Dig U? Featuring – Gary Thomas, Kirk Rosenwinkel
A Million Times
Blue Girl
Barely In Love
Heels
Abstractionisms Featuring – Kenny Garrett
Caring
Even If It Is So
