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Subhumans – 29:29 Split Vision – Purple Vinyl Record

 

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Subhumans – 29:29 Split Vision – Purple Vinyl Record

Subhumans’ 29:29 Split Vision (1986) is the fourth studio album from the iconic British anarcho-punk band, known for their politically charged lyrics and unique fusion of punk rock with post-punk and experimental elements. Formed in the early 1980s, Subhumans—fronted by Dick Lucas—were part of the influential anarcho-punk movement, along with bands like Crass and Conflict, and are recognized for their thoughtful, introspective lyrics that often critique politics, war, and societal norms.

29:29 Split Vision stands out in the band’s discography for its more experimental approach, blending their raw punk energy with influences from psychedelia and progressive rock, all while maintaining the sharp social and political critique that defines their music.

While 29:29 Split Vision maintains the anarcho-punk foundation that Subhumans built their career on, the album expands into more experimental territory, with complex song structures and shifts in tempo and style. The raw aggression of their earlier work is present, but it is tempered by more introspective, atmospheric moments that showcase the band’s willingness to push beyond the boundaries of punk.

The album incorporates elements of psychedelia and progressive rock, especially in its longer, more intricate song arrangements. These influences are heard in the extended instrumental sections, unusual time signatures, and atmospheric passages that diverge from the straightforward aggression of typical punk rock.

Despite the album’s experimental leanings, it retains the raw, unpolished production style that is characteristic of Subhumans’ music. The rough edges give the album a sense of authenticity and urgency, reinforcing the band’s DIY ethos and anarcho-punk roots.

Key Tracks

“Dehumanisation”: A standout track on the album, “Dehumanisation” offers a biting critique of capitalist greed and the dehumanizing effects of modern business practices. The song’s driving beat and catchy riff give it a more straightforward punk rock feel, while the lyrics reflect the band’s anti-establishment ethos.
“Somebody’s Mother”: This track has a slower, more atmospheric feel, showing the band’s willingness to experiment with dynamics and mood. The song’s lyrics tackle the theme of war from a personal perspective, reflecting on the human cost of conflict and the individuals who are left to deal with the aftermath.
“Worlds Apart”: One of the album’s most progressive tracks, “Worlds Apart” features shifting time signatures and a more complex song structure. The song builds slowly, incorporating psychedelic and post-punk influences, before exploding into a fast, aggressive climax.
“New Boy”: This track returns to the band’s punk roots, with a fast, furious rhythm and an aggressive vocal delivery. The song critiques the animalistic tendencies of human beings, tying into the band’s broader themes of social criticism and self-awareness.

Subhumans have always been known for their sharp, politically charged lyrics, and 29:29 Split Vision is no exception. Songs like “Businessmen” and “Animal” offer critiques of capitalism, corporate greed, and the corrupt nature of societal institutions. The band’s anarcho-punk roots are evident in their call for personal and political freedom, and their rejection of authoritarianism. Many of the album’s tracks, such as “Somebody’s Mother,” reflect on the impact of war and violence. The lyrics offer a personal, human perspective on the devastating consequences of conflict, showing empathy for those affected by the brutality of war.

Themes of alienation and societal disconnection run throughout the album, particularly in tracks like “Worlds Apart,” where the lyrics explore feelings of being out of sync with the rest of society. This sense of alienation is a recurring theme in Subhumans’ work, reflecting their critical view of modern society and its institutions. The band’s interest in environmentalism and social justice also comes through in the lyrics. The focus on personal responsibility and the need for systemic change is a hallmark of the anarcho-punk movement, and Subhumans continue this tradition with thought-provoking lyrics that challenge the listener to reflect on their role in society.

Dick Lucas delivers a passionate, raw vocal performance throughout the album, alternating between shouted, aggressive punk vocals and more restrained, introspective moments. His distinctive voice adds emotional weight to the politically charged lyrics, conveying a sense of urgency and conviction. The guitar work on 29:29 Split Vision is more intricate and varied than on previous Subhumans albums, with guitarist Bruce Treasure incorporating elements of psychedelia and progressive rock into his playing. The extended instrumental sections and shifting dynamics reflect the band’s willingness to explore new musical territory.

The rhythm section—featuring Phil Bryant on bass and Trotsky on drums—provides a solid foundation for the band’s more experimental moments. The basslines are prominent and melodic, while the drums maintain a relentless, driving rhythm that anchors the more chaotic elements of the album. Several tracks on the album include atmospheric, instrumental interludes that showcase the band’s progressive and psychedelic influences. These moments provide a contrast to the fast, aggressive punk sections, adding depth and variety to the album’s sound.

29:29 Split Vision stands out as one of Subhumans’ more experimental and adventurous albums. While it didn’t have the same immediate impact as their earlier work, it has gained recognition over time for its complexity and willingness to push the boundaries of punk rock.

Subhumans were a key part of the anarcho-punk movement, and their influence extends beyond punk into the world of post-punk and experimental music. 29:29 Split Vision is an example of how the band was able to merge their political messaging with innovative musical ideas, helping to inspire a generation of punk and post-punk musicians. Released in 1986, the album reflects the growing desire among punk bands in the mid-1980s to evolve and experiment with their sound. 29:29 Split Vision captures the tension between the raw aggression of early punk and the more experimental, introspective direction that many bands were beginning to explore.

29:29 Split Vision by Subhumans is a powerful, experimental album that blends the raw energy of anarcho-punk with elements of psychedelia and progressive rock. The album’s complex arrangements, introspective lyrics, and political critique make it a standout in the band’s discography and a unique entry in the 1980s punk scene. With its mix of fast, aggressive tracks and more atmospheric, experimental moments, 29:29 Split Vision showcases Subhumans’ willingness to push the boundaries of punk while staying true to their anarcho-punk roots, offering a thought-provoking and musically adventurous listening experience.

Inside Exclusive – Deep Purple Vinyl

Record Store Day, Reissue

Brand new, never played and still in the factory plastic

Track Listing
Somebody’s Mother
Think For Yourself
Walls Of Silence
Heroes
Dehumanisation
Worlds Apart
New Boy
Time Flies…

https://www.roundflat.com/wp-content/uploads/2024/09/Subhumans-–-29-29-Split-Vision.jpghttps://www.roundflat.com/wp-content/uploads/2024/09/Subhumans-–-29-29-Split-Vision-150x150.jpgroundflatSubhumans - 29:29 Split Vision - Purple Vinyl Record Subhumans' 29:29 Split Vision (1986) is the fourth studio album from the iconic British anarcho-punk band, known for their politically charged lyrics and unique fusion of punk rock with post-punk and experimental elements. Formed in the early 1980s, Subhumans—fronted by Dick...Discover the ultimate destination for punk records, indie vinyl, alternative CDs, and metal cassettes since 1992.

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