Description
Tune-Yards – Whokill – Splatter Vinyl Record
Limited to 3,500 copies
10 Year Anniversary
Record Store Day Exclusive Splatter Vinyl
Brand new, never played and still sealed in the factory plastic
Whokill (stylized as w h o k i l l) is the second studio album by American music project Tune-Yards, released on April 19, 2011, through 4AD Records. Led by musician Merrill Garbus, Tune-Yards is known for its unique blend of experimental pop, world music, and indie rock. Whokill marked a significant leap in both production and musical scope for Garbus, with its incorporation of layered beats, bold vocal experimentation, and socially conscious lyrics. The album received critical acclaim for its genre-blending sound and innovative approach, positioning Tune-Yards as one of the most forward-thinking acts of the 2010s indie scene.
Merrill Garbus initially recorded Tune-Yards’ first album Bird-Brains with minimal equipment and a DIY ethic, but Whokill brought a more polished production, adding bassist Nate Brenner and utilizing a professional studio for the first time. Despite the upgrade in production, the album retained Tune-Yards\’ trademark eclectic style, featuring Garbus’ powerful, emotive vocals, polyrhythmic beats, and raw, percussive instrumentation. Whokill explores various genres, from Afrobeat and reggae to punk, funk, and jazz, creating a sound that is both adventurous and accessible.
Garbus’ distinctive voice and her use of looping techniques, beatboxing, and vocal layering are central to the album\’s sound. She often tackles socially charged themes, using her music as a platform to explore topics like gender, race, and power dynamics, all while maintaining a vibrant, danceable energy.
Key Tracks
\”My Country\” – The opening track and one of the album’s standout songs, \”My Country\” explores themes of national identity and privilege. It features a driving beat, vibrant horns, and Garbus’ bold vocal delivery, setting the tone for the album’s mix of social critique and musical energy.
\”Es-So\” – This song has a laid-back groove with African-inspired rhythms and layered vocal loops. The lyrics explore themes of self-awareness and perception, while the upbeat instrumentation contrasts with the introspective lyrics.
\”Gangsta\” – One of the album’s most well-known tracks, \”Gangsta\” combines heavy basslines, siren-like sounds, and Garbus’ confrontational lyrics, which question identity and toughness. It’s intense and danceable, capturing Garbus’ ability to blend complex social commentary with infectious rhythms.
\”Powa\” – This track has a more personal, introspective tone, with Garbus singing about desire, power, and vulnerability. The song gradually builds in intensity, showcasing her powerful vocal range and emotional depth.
\”Bizness\” – A fan favorite, \”Bizness\” is both rhythmically complex and catchy, with handclaps, layered harmonies, and punchy beats. The lyrics deal with the complexities of personal relationships and self-empowerment, making it one of the album’s most anthemic tracks.
\”Riotriot\” – A politically charged track, \”Riotriot\” reflects on systemic oppression and resistance. It has a slower, more atmospheric sound, contrasting with the high energy of other tracks on the album.
\”You Yes You\” – This song combines playful rhythms with pointed lyrics, addressing identity and individuality. Its catchy hooks and complex arrangement make it another standout track on the album.
Whokill dives into themes of identity, social justice, personal empowerment, and privilege. Garbus’ lyrics are sharp and unapologetic, with a willingness to tackle uncomfortable subjects. Musically, the album’s production reflects Garbus’ experimental spirit, incorporating unconventional instruments, looping effects, and complex polyrhythms. Her voice is at the forefront of the album, and her ability to blend vocal acrobatics with strong messages gives Whokill its distinctive impact.
The production, handled by Garbus and Eli Crews, brings out the percussive elements and vocal layers, allowing each track to feel vibrant and textured. Garbus’ DIY aesthetic remains intact, but the studio setting enhances the clarity and punch of each track, elevating the listening experience without losing the rawness of her sound.
Whokill was met with critical acclaim, with many reviewers praising its bold originality and Garbus’ fearless approach to both music and lyrics. The album won the prestigious Pazz & Jop critics\’ poll for best album of 2011, cementing its place as a standout release in indie music. Fans and critics alike were drawn to the album’s complex rhythms, genre-blending sound, and its unique approach to challenging social issues through a vibrant musical lens.
Whokill has since been regarded as a landmark album in experimental pop and indie rock, influencing artists who seek to merge political consciousness with innovative sound. Songs like \”Gangsta\” and \”Bizness\” remain highlights of Tune-Yards’ discography and have helped define Garbus as an artist unafraid to push boundaries.
Whokill stands as a bold, innovative album that challenged conventions in both music and social commentary. Merrill Garbus’ unique voice, both literally and figuratively, helped expand the possibilities of indie music and created a blueprint for combining art with activism. The album’s dynamic mix of influences, along with its sharp lyrical themes, makes it a compelling listen and a significant piece of 2010s indie music history.
Track Listing
My Country
Es-so
Gangsta
Powa
Riotriot
Bizness
Doorstep
You Yes You
Wooly Wolly Gong
Killa
